The Project Gutenberg eBook of Texas Week

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Texas Week

Author: Albert Hernhuter

Release date: April 30, 2009 [eBook #28647]

Most recently updated: January 5, 2021

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online

Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK TEXAS WEEK ***

One of the chief purposes of psychiatry is to separate fantasy from reality. It is reasonable to expect that future psychiatrists will know more about this borderline than the most learned doctors of today. Yet now and again even the best of them may encounter situations that defy all logic.

texas

week

by ... Albert Hernhuter

Meeting the little man who isn't there is rated an horrendous experience. But discovery that the man is there may be even worse.

THE SLICK black car sped along the wide and straight street. It came to a smooth stop in front of a clean white house. A man got out of the car and walked briskly to the door. Reaching out with a pink hand, he pressed the doorbell with one well-manicured finger.

The door was answered by a housewife. She was wearing a white blouse, a green skirt and a green apron trimmed with white. Her feet were tucked into orange slippers, her blonde hair was done up in a neat bun. She was dressed as the government had ordered for that week.

The man said, "You are Mrs. Christopher Nest?"

There was a trace of anxiety in her voice as she answered. "Yes. And you are...?"

"My name is Maxwell Hanstark. As you may already know, I am the official psychiatrist for this district. My appointment will last until the end of this year."

Mrs. Nest invited him in. They stepped into a clean living-room. At one end was the television set, at the other end were several chairs. There was nothing between the set and the chairs except a large grey rug which stretched from wall to wall. They walked to the chairs and sat down.

"Now, just what is the matter with your husband, Mrs. Nest?"

Mrs. Nest reached into a large bowl and absently picked up a piece of stale popcorn. She daintily placed it in her mouth and chewed thoughtfully before she answered.

"I wish I knew. All he does all day long is sit in the backyard and stare at the grass. He insists that he is standing on top of a cliff."

Hanstark took out a small pad and a short ball-point pen. He wrote something down before he spoke again. "Is he violent? Did he get angry when you told him there was no cliff?"

Mrs. Nest was silent for a moment. A second piece of popcorn joined the first. Hanstark's pen was poised above the pad. "No. He didn't get violent."

Hanstark wrote as he asked the next question. "Just what was his reaction?"

"He said I must be crazy."

"Were those his exact words?"

"No. He said that I was"— She thought for a moment—"loco. Yes, that was the word."

"Loco?"

"Yes. He said it just like those cowboys on the television."

Hanstark looked puzzled. "Perhaps you had better tell me more about this. When did he first start acting this way?"

Mrs. Nest glanced up at the television set, then back at Hanstark. "It was right after Texas Week. You remember—they showed all of those old cowboy pictures."

Hanstark nodded.

"Well, he stayed up every night watching them. Some nights he didn't even go to sleep. Even after the set was off, he sat in one of the chairs, just staring at the screen. This morning, when I got up, he wasn't in the house. I looked all over but I couldn't find him. I was just about ready to phone the police when I glanced out the window into the backyard. And I saw him."

"What was he doing?"

"He was just sitting there in the middle of the yard, staring. I went out and tried to bring him into the house. He told me he had to watch for someone. When I asked him what he was talking about he told me that I was crazy. That was when I phoned you, Mr. Hanstark."

"A very wise move, Mrs. Nest. And would you show me where your husband is right now?"

She nodded her head and they both got up from the chairs. They walked through the dining-room and kitchen. On the back porch Hanstark came to a halt.

"You'd better stay here, Mrs. Nest." He walked to the door and opened it.

"Mr. Hanstark," Mrs. Nest called.

Hanstark turned and saw her standing next to the automatic washing machine. "Yes?"

"Please be careful."

Hanstark smiled. "I shall be, Mrs. Nest."

He walked out the door and down three concrete steps. Looking a little to his right, he saw a man squatted on his heels. He walked up to the man. "You are Mr. Christopher Nest?"

The man looked up and stared for a moment at Hanstark. "Yep," he answered. Then he turned and stared at the grass again.

"And may I ask you what you are doing?"

Nest answered without looking up. "Guardin' the pass."

Hanstark scribbled something in his notebook. "And why are you guarding the pass?"

Nest rose to his feet and stared down at Hanstark. "Just what are you askin' all of these questions for, stranger?"

Hanstark saw Nest was bigger than he and decided to play along for a while. After all, strategy ...

"I'm just interested in your welfare, Mr. Nest."

Nest shrugged his shoulders. He reached into his shirt pocket and pulled out a sack of tobacco and some paper. Holding a piece of paper in one hand, he carefully poured a little tobacco onto it. In one quick movement he rolled the paper and tobacco into a perfect cylinder.

He put the sack of tobacco and paper back into his pocket and took out a wooden kitchen match. He scraped it to life on the sole of his shoe and applied the flame to the tip of the cigarette. He puffed it into life and threw the match away. It burned for a few moments in the moist grass, then went out. A thin trail of smoke rose from it, and then was gone.

"Why are you guarding the pass?" Hanstark asked again.

Nest resumed his crouch on the grass. "News is around that Dirty Dan the cattle rustler is gonna try to steal some of my cattle." He patted an imaginary holster at his side. "And I aim to stop him."

Hanstark thought for a moment. Strategy—he must use strategy ... "Mr. Nest." He waited until Nest had turned to him. "Mr. Nest. What would you say if I told you that there was no pass down there?"

"Why shucks, pardner. I'd say you'd been chewin' some loco weed."

"And if I could prove it?"

Nest answered after a moment's pause. "Why then, I guess I'd be loco."

Hanstark thought it was going to be easy. "Mr. Nest, it is a well known fact that no one can walk in mid-air. Is that not true?"

Nest took a deep drag on his cigarette and blew the smoke out of his nostrils. "Shore."

"Then if I were to walk out above your pass you'd have to admit there is no pass."

"Reckon so."

Hanstark began to walk in the direction of Nest's "cliff." Nest jumped to his feet and grabbed the official psychiatrist by the arm.

"What're you tryin' to do," Nest said angrily, "kill yourself?"

Hanstark shook free of his grasp. "Mr. Nest, I am not going to kill myself. I am merely going to walk in that direction." He pointed to where the cliff was supposed to be. "To you it will look as if I were walking in mid-air."

Nest dropped his hands to his sides. "Shucks, I don't care if you kill yourself. It's just that it's liable to make the cattle nervous."

Hanstark gave him a cold glare and began to walk. He took three paces and stopped. "You see, Mr. Nest. There is no cliff."

Nest looked at him and laughed. "You just take one more step and you'll find there is a cliff!"

Hanstark took another step—a long one. His face bore a surprised look as he disappeared beneath the grass. His screams could be heard for a moment before he landed on the rocks below.

Nest walked to the edge of the cliff and looked down at the mangled body. He took off his hat in respect. "Little feller had a lotta guts." Then he added, "Poor little feller."

He put his hat back on and looked down at the entrance to the valley. A horse and rider appeared from behind several rocks.

"Dirty Dan!" Nest exclaimed. He reached down and picked up his rifle.

Transcriber's Note:

This etext was produced from Fantastic Universe January 1954. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK TEXAS WEEK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

Table of Contents

texas week

THE FULL PROJECT GUTENBERG LICENSE